We’re thrilled to have performer and vocal artist, Gelsey Bell to Wayne State University this week where she’ll lead workshops in Voice and Movement and Performing on Broadway with our current students.
Gelsey Bell is a New York City-based singer, songwriter, and scholar. Her performance creations have been presented internationally. She has released multiple albums. She was a 2017 recipient of the Foundation for Contemporary Arts Music/Sound award and she is currently the Exploring the Metropolis Ridgewood Bushwick Composer-in-Residence. She is a core member of new music ensemble thingNY, performance collective Varispeed, and improv trio the Chutneys. Her works include Scaling, Our Defensive Measurements, This Takes Place Close By (with thingNY), and Prisoner’s Song (with Erik Ruin). She originated the role of Princess Mary for Dave Malloy’s Natasha, Pierre, & the Great Comet of 1812 (from Off-Off-Broadway to Broadway) and Pearl in Ghost Quartet. She is also known for her performances in Robert Ashley’s Crash, Matthew Barney and Jonathan Bepler’s River of Fundament, John King’s Micro-Operas, Yasuko Yokoshi’s BELL, Kate Soper’s Here Be Sirens, and Gregory Whitehead’s On the Shore Dimly Seen, which incorporated her original vocal improvisations. She has a PhD in performance studies from New York University and is the Critical Acts Co-editor for TDR/The Drama Review and the Reviews Editor for The Journal of Interdisciplinary Voice Studies. She is currently finishing a book on American experimental vocal music in the 1970s.
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